Whether you need a feature doc, a branded series, a short, or just the cut fixed — here's how each one actually works.
Feature-length and short-form documentary, from development through festival delivery. We only take on stories we'd want to sit in a theater for.
Branded series and spots for companies who want something people actually finish watching — not just something that plays before the skip button.
Short narrative work built for festivals first — we shoot to the story, not to a runtime, and we've never once padded a cut to hit a length.
Editing and color for projects we didn't shoot ourselves. We come in after the footage exists and find the film that's actually in it.
The story worth telling, worked out before a single frame.
A small, close-knit crew on set — close to the story.
Editing and color, done by the same people who shot it.
A handful of projects a year, each given the room it needs.
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